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Posted

List your favorite original film scores, and/or post your favorite individual score songs.

There are so many to list. some of my favorite overall scores:

Dances With Wolves

Braveheart

Rudy

everything Star Wars

E.T.

Jurassic Park

Trinity and Beyond: The Atomic Bomb Movie

That's just the tip. Here's a couple songs i love:

http://www.youtube.com/watch?v=JusB0GbbkV8&tracker=False

"All generalizations are false, including this one." - Mark Twain

Partisanship is a disease of the intellect.

Posted (edited)

This is an amazing soundtrack few have ever heard of, from the documentary Trinity and Beyond: The Atomic Bomb Movie (great doc by the way, amazing atomic test footage), score by William Stromberg, performed by the Moscow Symphony Orchestra.

http://www.youtube.com/watch?v=IwVWXBhuVXI&tracker=False

Edited by Moonlight Graham

"All generalizations are false, including this one." - Mark Twain

Partisanship is a disease of the intellect.

Posted

Anything by Bernard Herrmann: Psycho, Vertigo, Twilight Zone, Citizen Kane, Taxi Driver...

"I think it's fun watching the waldick get all excited/knickers in a knot over something." -scribblet
Posted

Anything by Bernard Herrmann: Psycho, Vertigo, Twilight Zone, Citizen Kane, Taxi Driver...

Total agreement; the other Bernstein (unreleated) Elmer was another of my favorites: To Kill a Mockinbird, The Magnificent Seven, The Ten Commandments, The Great Escape, and Ghostbusters.

My favorite of all time...Gone with the Wind.

http://www.youtube.com/watch?v=6lSMFAkJpbA

Posted (edited)

Scores, not soundtracks peoples! Instrumentals.

DoP i've never loved & hated a song so much in a long time.

Edited by Moonlight Graham

"All generalizations are false, including this one." - Mark Twain

Partisanship is a disease of the intellect.

Posted (edited)
The Mission
Agreed.

Almost anything by Ennio Morricone. I went to see Bulworth (terrible movie) simply because Warren Beatty got Morricone to do the soundtrack.

My favourite Morricone soundtracks?

----

If Shakespeare, Dickens, Hugo, Balzac or Zola were alive today, they would be writing film scripts for Hollywood. Similarly, if Mozart or Beethoven were alive, they would be composing movie soundtracks.

I sometimes wonder how artists of the past, if brought to the present, would react to modern technology. I reckon that Mozart and Hugo would have loved cinema. It's a technology made for their talents.

And then I wonder about possible future technologies, and whether any artists today will survive.

Mozart is still used as a soundtrack composer.

Edited by August1991
Posted

Yuck, that Gone With The Wind piece is among the most wretched things I have heard since the last time I stepped on Shadow's tail. Sappy violin schmaltz. And that dude with the banjo kinda made me want to kill something.

John Williams, Ennio Morricone.

Two composers whose music has transcended the films they're in and become parts of our culture in their own right.

You can play a few bars of "The Good, The Bad, and the Ugly" theme, and everyone (even people who haven't actually seen the movie) recognize the tune and know what's being referenced and understand what the music means. Likewise the theme from Jaws or the Imperial March from Star Wars.

There are many other film scores that I think are extraordinary. The music from Requiem for a Dream is more widely recognized and admired than the movie itself. I was just mentioning the scores from Tron and The Social Network in other threads. Pan's Labyrinth has a haunting soundtrack.

Hans Zimmer -- Black Hawk Down -- blends an alien, foreign sound with the discord of war. Music to knock stuff over to.

http://www.youtube.com/watch?v=u2zmoXDBc_M

Wojciech Kilar -- Bram Stoker's Dracula -- dark, brooding, menacing, sensuous, mysterious...

http://www.youtube.com/watch?v=Gk7sjUfwGd8

-k

(╯°□°)╯︵ ┻━┻ Friendly forum facilitator! ┬──┬◡ノ(° -°ノ)

Posted

Scores, not soundtracks peoples! Instrumentals.

WTF?

A Hard Day's Night was nominated for two Academy Awards; for Best Screenplay (Alun Owen),
and Best Score
(Adaptation) (George Martin).

Economics trumps Virtue. 

 

Posted

Yuck, that Gone With The Wind piece is among the most wretched things I have heard since the last time I stepped on Shadow's tail.

Guess it is a generational thing :)

Posted

Guess it is a generational thing :)

Here's what happened: I clicked to open your link in a different tab and continued reading in the current page, so the music was playing but I wasn't looking at the video.

And without the piocture, the music seemed so generic that it conveyed nothing at all to me. Violins whirring without any real melody. It could have accompanied a deer in a meadow, a boat setting sail, the sun setting on a little farmhouse, whatever . And only when I hear her choking do I start to suspect that the scene isn't any of those generic scenes at all. And then she delivers the famous "God as my witness!" speech. And I thought: wait, they've got sun setting on a farmhouse music for the "God as my witness!" speech? What a disconnect!

The music just didn't match the emotion of the scene at all. To me, an effective musical score helps set the emotional tone for the scene. I honestly think that scene would have been better with no music at all than it would have been with the generic whirring violins.

Kitty?

yep :)

-k

(╯°□°)╯︵ ┻━┻ Friendly forum facilitator! ┬──┬◡ノ(° -°ノ)

Posted (edited)

Scores, not soundtracks peoples! Instrumentals.

The opening to The Bridge at Remagen was terrific, melded so well with the visuals, very stirring, went well with both the military theme and the drama of refugees. You have to skip to the 5:50 mark to start as there was some action before the titles.

http://www.youtube.com/watch?v=swMu5GTjGR8

And lest we forget how much better a score can be than a movie...

http://www.youtube.com/watch?v=gMLPnk9-6MM

Edited by Scotty

It is an inverted moral calculus that tries to persuade the world to demonize one state that tries its civilized best to abide in a difficult time and place, and rides merrily by the examples and practices of dozens of states and leaderships that drop into brutality every day without a twinge of regret or a whisper of condemnation. - Rex Murphy

Posted (edited)

And let's not forget these classic western scores..

Edited by Scotty

It is an inverted moral calculus that tries to persuade the world to demonize one state that tries its civilized best to abide in a difficult time and place, and rides merrily by the examples and practices of dozens of states and leaderships that drop into brutality every day without a twinge of regret or a whisper of condemnation. - Rex Murphy

Posted

Elmer Bernstein, not as well known as his Leonard, and not related to him, but had a way with music.

It is an inverted moral calculus that tries to persuade the world to demonize one state that tries its civilized best to abide in a difficult time and place, and rides merrily by the examples and practices of dozens of states and leaderships that drop into brutality every day without a twinge of regret or a whisper of condemnation. - Rex Murphy

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